这份过于私人的自传式表达遭遇苏联业内一片质疑和不满，成为他创作生涯中一次激烈的争议。老搭档尤索夫拒绝执镜，认为这部作品过于自我；与他一同撰写《安德烈・卢布廖夫》剧本的旧友冈察洛夫斯基在看过影片后直言：“塔可夫斯基关心的并不是永恒的真理，而完全是他自己。”塔可夫斯基从未妥协，正如他在日记中所写的，电影于他从来不是一份谋生的职业，而是“与上帝的对话”，是内心的祈祷。这份对创作的执念同样体现在《潜行者》的拍摄中，也让他付出了沉重的代价。
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Indya Moore and Luka Sabbat are a revelation as twins. Across all three vignettes, Jarmusch laces shared elements, like red clothing, a Rolex watch, clumsy toasts with nonalcoholic beverages, images of young skateboarders rolling by carefree and in slow motion, and some iteration of the idiom "Bob's your uncle." But in this chapter, he breaks the pattern of a family of three. In the Paris-set "Sister Brother," Indya Moore and Luka Sabbat play twins surveying what remains of their childhood home in the wake of their parents' deaths.
“昨天的要坚持下去，今天的要有所深化，明天的要取得更大成效”。不做寅吃卯粮、击鼓传花的虚浮之举，而是“甘于做铺垫性的工作，甘于抓未成之事”。，这一点在夫子中也有详细论述